Hannahs current body of work centres around duality. Her differing methods play off each other and create an interesting dialogue around artists' relationship to having a binary or signature style. It highlights how our creativity can shift and change as we grow. On one hand the practice is a childlike and colourful in its exploration into home, displacement, trauma, landscape and escapism. The distortion lies in the lack of human presence and unnatural house layouts with limited or obstructed exits. 

The other side of her practice is an exploration of movement and vivid gestures, consisting of improvised, monochromatic gestures often guided my music and rhythm. Hannah aims to bring these two different approaches to art and life together, the thinking and feeling existing together.